But, because Derrida was made famous (in English-speaking countries) not by his fellow-philosophers but by literary critics (who were looking for new ways of reading texts rather than for a new understanding of intellectual history), this label has (in those countries) become firmly attached to a school of which Derrida is, rather to his own surprise and bemusement, the leading figure.2 As used by members of this school, the term 'deconstruction', refers in the first instance to the way in which the 'accidental' features of a text can be seen as betraying, subverting, its purportedly 'essential' message.3[...]One can generalize Derrida's comment on Heidegger as follows: anyone who says something like 'I must repudiate the entire language of my culture' is making a statement in the language she repudiates.
Even later in Derrida's career he will formalize, beyond theseaporias, the nature of deconstruction. The third definition ofdeconstruction can be found in an essay from 2000 called “EtCetera.” Here Derrida in fact presents the principle that definesdeconstruction:
August 22: On the Way as an Introduction--What is orientation in thinking? What is called thinking?; What is philosophy? ; what is a medium?; why do philosophy and literature metup? writing as pharmakon (drug / poison and cure); ; ; deconstruction and proper names; pyschoanlaysis and proper names; lists, indexes, and inventories; textual criticism versus literary criticism; ; genetic criticism (text and "fortext" [avant-texte]) versus posthumographic criticism; ; facsimiles and diplomatic transcriptions; paratexts (what goes unread); invisible to reading versus unintelligible; reading online nad reading on paper; reading several books at the "same" time; linear reading versus random access reading; reading the first and last words versus the first word before the first and the last word after the last; double readings (reading between the lines, exoteric and esoteric; "palimpsestous" reading versus "parergonal" reading; "internal" reading versus 'external" reading; reading between punctuation marks); close reading versus far reading versus / (are you still SK--"Is anyone still reading me?"
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